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“... It became ‘a success with readers before its embrace by critics’, according to its translator, Thomas Bunstead. Some attribute this popular response to its imaginative engagement with technology and mass culture. Others point to its formal adventurousness, or to the influence of a network of literary blogs (centred on Vicente Luis Mora’s Diario de ...”

“... At​ the start of María Gainza’s first novel, Optic Nerve, the narrator, an art critic who is also called María, shows a couple round a grand house in Buenos Aires. She is wearing a soaking wet dress and a pair of fluffy slippers. She tells us with some self-deprecation that her job is taking rich foreigners to see private art collections. On this occasion, she had been sheltering from the rain waiting for her clients when a car ‘came past hugging the kerb and drenched me and my pristine yellow dress ...”